Friday, October 30, 2020

Week of October 31 - November 6, 2020

 

To answer these trivia questions, please email me at scinema@earthlink.net.

Brain Teasers:

Which American actor who made Italian Westerns remembers getting along with Klaus Kinski both on and off the set?
It was Richard Harrison who has fond memories of sitting at a kitchen table when Nastassja was small enough to crawl under his chair.

Which Italian actress who made an Italian Western found Klaus Kinski very easy and charming with which to work?
No one has answered this question yet.

Which American actress who made an Italian Western was reported by Klaus Kinski to be the object of lust from Marlon Brando?
No one has answered this question yet.

Which American director of a Western made in Spain used to be a film editor at Universal Pictures?
Bertrand Van Wonterghem knew that it was Paul Landres.

Which Mexican actress appeared in an Italian Epic film alongside an actor born in Spain to a Puerto Rican father?
No one has answered this one yet.

Charles Gilbert asks, "Which actor born on October 13, 1929 and who played in the NFL, can be seen along side Dan Vadis, Gordon Scott, and Mark Forest in Italian cinema?"
Tom Betts, Bertrand Van Wonterghem and George Grimes knew that it was Harold Bradley.

And now for some new brain teasers:

Can you name five Italian/Spanish Westerns that Albert Band worked on as a writer?
What was the title of the pilot episode Albert Band made for an Hercules TV series?
Which actor who appeared in Spanish Westerns, was born to Spanish parents on an ocean liner while on the way to Uruguay?

Name the movies from which these images came.


Rick Garibaldi identified last week's photo of Richard Harrison in GRINGO, aka DUELLO NEL TEXAS, aka GUNFIGHT AT RED SANDS.
Above is a new photo.
Can you name from what movie it came?


Bertrand Van Wonterghem and Charles Gilbert identified last week's photo of Antonio Molino Rojo and Loredana Nusciak in I SETTE GLADIATORI, aka GLADIATORS SEVEN.
Above is a new photo.
Can you name from what movie it came?


Above is a new photo.
Can you name from what movie it came?


George Grimes identified last week's frame grab of Jackie Chan and Angela Mao in HAPKIDO, aka LADY KUNG FU.
Above is a new photo.
Can you name from what movie it came?

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I am interested in knowing what movies you have watched and what you enjoyed or not. So please send me an email at scinema@earthlink.net if you'd like to share. Here's what I watched last week:

Enjoyed:

SAGE FEMME, aka THE MIDWIFE (2017) - Catherine Frot is a 49 year old single mother working as a midwife facing the closure of the clinic where she works. The profession is being phased out due to modern technology in large hospitals which she sees a baby factories. She's confident in her son becoming a surgeon, but he's considering not finishing medical school and needs to make money as his girlfriend is pregnant. Suddenly, an older friend, Catherine Deneuve, turns up wanting to reconnect. Frot hasn't seen Deneuve in 30 years, not since Deneuve left Frot's father. Deneuve doesn't know that the father subsequently committed suicide. Deneuve is desperate to reconnect with Frot partly because their long ago friendship meant so much to her, and because she can't think of anyone else to turn to now that a tumor has been found in her brain. Writer/director Martin Provost deals with this potentially melodramatic material in a straightforward and sensitive manner which never seems unnatural and is frequently emotionally moving in a tender manner. The two stars have never worked together before and they prove to be marvelous, as is Olivier Gourmet as the man Frot meets while tending her little garden in the country. The magnificent Mylene Demongeot has a small part playing an associate of Deneuve's. All of the births seen in this film are real for which Frot trained for months to be able to deliver. Those scenes had to be shot in Belgium as French law prohibits filming with babies younger than 3 months. Serge Reggiani fans will appreciate the love Deneuve expresses for the man's records.

Mildly enjoyed:

 THE BIG SLEEP (1978) - I don't know if this version is more faithful to the novel than the 1946 version, but it is remarkably less fun. Changing the locale from Los Angeles to London kind of ruins the milieu of the story, but it does result in an impressive British cast: Sarah Miles, Joan Collins, Edward Fox, John Mills, Oliver Reed, Harry Andrews, Colin Blakely, Richard Todd, Diana Quick and James Donald. Candy Clark shows that you can appear completely naked in a movie and not be sexy. Unfortunately, the other American actors just seem old: Robert Mitchum, Richard Boone and James Stewart. Director Michael Winner is credited with writing the screenplay, but his direction is crude getting some poor performances from proven capable actors.

HOW HIGH (2001) - Four years before he became a regular on Bones, T.J. Thyne is just about unrecognizable in this "black marijuana growers go to Harvard" comedy. Mixing the cremated remains of Chuck Davis - aka Chuck Deezy - with his new buds, Method Man creates a new smoke which results in Chuck's ghost appearing. Since he's in the afterlife, Chuck's got all of the answers to any test Method Man and Redman can take, so they score the highest grades ever on college entrance exams. Harvard President Fred Willard promises great looking women, so they decide to go Ivy League. What follows is kind of a stoned ANIMAL HOUSE without the celebration of frat life. The director of this is Jesse Dylan, one of Bob Dylan's sons, who went on to direct AMERICAN PIE: AMERICAN WEDDING. I think the note at the end "There were no plants harmed during the making of this film" is a lie. For the most part, this is good natured fun with alot of bad language.

I KNOW WHERE I'M GOING (1945) - For the most part the films of Michael Powell and Emeric Pressburger embrace a form of melodrama that I don't like. The location work, captured by cinematographer Erwin Hillier, is so lovely, and the heavy dose of Scotsophilia in this film keeps it fun even as the predictable story of a woman unable to reach the island where she is to marry a rich man while in the company of a naval officer on leave plays out. Included in the splendid cast are Wendy Hiller, Pamela Brown, Finlay Currie, Catherine Lacey and young Petula Clark.

KILL OR CURE (1962) - Private detective Terry-Thomas is hired over the phone by an old woman to visit her in an health club. When the woman turns up dead, Inspector Lionel Jeffries shows up to investigate. A reward of two thousand pounds is being offered, so Thomas suddenly finds a reason to be happy to be sequestered. A whole bunch of fun British actors are employed here, but can't make this unfunny comedy work. Dennis Price is the doctor running the club, Moira Redmond is the dead woman's secretary

THE MEG (2018) - Based on 1997's MEG: A NOVEL OF DEEP TERROR by Steve Alten, this movie seems like a combination of THE ABYSS and JAWS.... or THE ABYSS and JAWS 3-D, and it's fun until the last half hour or so when it becomes wearisome - after it wanders into CRAZY RICH ASIANS in Sanya Bay. A sequel is in development.

Nicholas Le Floch "Le fantôme de la rue Royale, aka The Phantom of the Rue Royale" (2009) - Nicholas doesn't get clobbered this time. His friend M. de Noblecourt gets the clobbering instead. La Satin returns to put our hero in a good mood as he solves the murder of a woman who has just given birth and stops another effort to stir up the populace of Paris against the King. An Huron native of New France is also part of the mystery.

Nicholas Le Floch "L'affaire Nicolas Le Floch, aka The Nicolas Le Floch Affair" (2009) - Vimala Pons is particularly showcased in this episode where La Satin joins our hero who has become a secret agent sent to England to stop a publication meant to scandalize the King of France. 

Nicholas Le Floch "La larme de Varsovie, aka The Tear of Warsaw" (2010) - Camille De Pazzis replaces Vimala Pons as La Satin. Our hero takes on a Templar bent on vengeance on French Royalty. Not wanting to age the characters as they do in the novels, show creator Hugues Pagan wrote an original script for this installment. It is always satisfying that villains you want to see dead are dead by the end of the show.

Nicolas Le Floch "Le Dîner de Gueux, aka The Rogue's Banquet" (2011) - Our hero doesn't get clobbered over the head, and he only has sex with prostitutes. Considering that he murdered the woman said to be his sister, the much loved villain in this story deserved an harsher fate than to be sent to New France to plague the British.

Uncnsrd "Best of Black Girl Magic" (2020) - This is a compilation of clips from previous episodes including: Tisha Campbell, Mona Campbell, Tichina Arnold, Ne-Yo, Loraine Smith, Tamar Braxton, Evelyn Braxton, Lisaraye McCoy, Katie McCoy, LaLa Anthony, Carmen Surillo, Niecy Nash, Paula Patton, Nia Long, Talita Long, Tiffany Haddish, Tyra Banks, Lizzy Mathis, Jaimie Glasson, Margaret Ensley, Cedric the Entertainer, Kai Morae, Kym Whitley, Lynn Jeter, Le'Andria Johnson, Carla Martin, K Michelle, Angles Pate, Fantasia and Zion Barrino.

Did not enjoy:

BEGINNING OF THE END (1957) - Though not officially based on H.G.Wells' FOOD OF THE GODS, this is one of many films writer/director/producer/special effects guy Bert I. Gordon made seemingly inspired by that book. Peter Graves makes giant vegetables using radiation, locusts eat vegetables and giant locusts eat people. Graves figures out sound frequency to attract them into Lake Michigan and problem solved. The film starts well with couple in lover's lane freaking out over an unseen menace and news reporter Peggy Castle investigating the disappearance of a town and its entire population. Like all Gordon films, the special effects are poor, but have a certain charm.

Cobra (2020) - The first two episodes of this mini-series held such promise, but the show became unwatchable after that.

THE FINAL COMEDOWN (1972) - There's a special thanks in this film's opening credits which reads, "And JIMMY GARRETT From His Play WE OWN THE NIGHT This Film Was Born". I don't know what the play is like, but judging from the screenplay by director Oscar Williams it must be pretty preachy. With a production grant from the American Film Institute, this film was made by Oscar Williams and Associates and Billy Dee Williams Enterprises. Having already made a name for himself with BRIAN'S SONG, Billy Dee Williams must have felt it was time to do something "important", so he and first time producer/director Oscar Williams (no relation) decided to do this story of Black militants dying after beginning an armed revolt in Los Angeles. The film begins with a young boy who stops playing football with his friends when it appears that he witnesses two white police men raping a black woman. After the opening credits, we see Williams already wounded during an continuing gunfight with the cops. He's being cared for by some friends, and then most of the movie cuts back and forth from flashbacks to the present battle. While the film at times seems to be an audition reel for the Black Stuntmen's Association of Hollywood - which must have a few white guys as members or associates for all of the cops falling from rooftops, none of the action is particularly well presented. Reportedly, around 1976, Roger Corman got his hands on this movie, had Allan Arkush shoot some new footage, and released an alternative version under the title BLAST!, credited to director Frank Arthur Wilson. Oscar Williams went on to direct FIVE ON THE BLACK HAND SIDE (1973) from Charlie L. Russell's play, write BLACK BELT JONES and TRUCK TURNER (1974), write and direct HOT POTATO (1976), write SUDDEN DEATH (1977) for director Eddie Romero, and finally direct the PCP drama DEATH DRUG (1978) starring Philip Michael Thomas - six years before Thomas got Miami Vice. If you want to see Billy Dee Williams and Pamela Jones in a nude bed scene that goes on for about three minutes, this is the movie for you. Raymond St. Jacques and R.G. Armstrong get billed "With special guest appearances by..."

Flesh and Blood (2020) - The impressive cast in this mini-series can't make this dreadful script palatable.

THE GREEN-EYED BLONDE (1957) - Hiding behind the front of Sally Stubblefield, Dalton Trumbo wrote this teen girl reformatory melodrama. Linda Plowman, aka Melinda Casey, has had a baby and won't tell anyone who the father is. Her mother and her boyfriend are supposed to take care of the baby, but when suicidal inmate Norma Jean Nilsson finds the neglected baby in the back of a parked car during visiting day, the baby is taken in by the teen girls to prevent it from being given to an orphanage. Plowman comes to care for the baby just when staff member Sally Brophy discovers it. Brophy agrees to let the girls keep the child until after Christmas. But Beverly Long gets caught trying to bury the baby's dirty diaphers, so Susan Oliver, the green-eyed blonde of the title, takes off running with the baby. She is caught and the baby is taken away by a social worker. This inspires the inmates to riot. They tear up the facilities, rip off a warder's dress and climb over the fence. Nilsson gets caught on the barbed wire and screams as she bleeds. "None of this would have happened if you had just given them a little understanding, a little dignity, just a hint of love." This is the only film Martin Melcher produced that didn't star his wife Doris Day. Interestingly, the only inmate who gets an happy ending is Tommie Moore, the lone black girl in the facility who is released into the custody of her father, Roy Glenn. In the final scene, while the inmates unwrap the presents prepared for the now gone baby, Carla Merey changes the radio from Christmas music to hear a news bulletin that the escaped Oliver and her boyfriend were killed in a car crash after being chased by the police. As expected, all of the teen girls are good-looking, and many of them didn't go on to long careers. Unexpectedly, someone thought it was a good idea to begin and end the movie with a rocking little tune, which is uncredited, about "the green-eyed blonde" that colors the film as exploitation even more than the movie deserves. Director Bernard Girard gets some nice moments from his cast, but then he also gets them to give full blown melodramatic moments. 

HAUNTED GOLD (1932) - Did the filmmakers back in the early 1930s like the way it looked to alternate between action done at 18 fps and sound scenes done at 24 fps? When I was a kid, this technique was only used for comedic effect; to invoke humor in the style of the Keystone Kops. I'm certain that was not the intended effect here considering that much of the stunt work looked dangerous. Reportedly, some of the action was footage reused from the 1928 film THE PHANTOM CITY starring Ken Maynard, but that doesn't explain why there are many shots of John Wayne in fast motion. Aside from that, the most interesting element of this early John Wayne effort is that he had a Black man sidekick/comic relief. Blue Washington plays Clarence Washington Brown, who is called "Black boy", "smokie" and "darkie" with a "watermelon accent" by the bad guys and gives Stepin Fetchit competition in being a nervous nellie. The only positive actions he accomplishes as our hero's friend is to be set up as a patsy to carry $1,000.00 that our hero knows will be taken from him at gunpoint, and to show up twice to untie our captured hero. More helpful is our hero's horse, Duke, that pushes one bad guy off a cliff (possibly the only death to occur in the film), and, Lassie-like, rides off to bring back our hero's ranch hands to help. John Wayne, Sheila Terry and Harry Woods all show up in a deserted Western town after receiving cryptic letters. Harry Woods has the deed to half interest in the Sallyanne mine and has brought with him five thugs. John Wayne has the deed to the other half. Sheila Terry is the daughter of the man swindled by Woods to get his deed. Eventually it turns out that Terry's father, John T. Prince, is the Phantom behind the letters, who plots to get back the deed from Woods. This film was made in 1932 by Leon Schlesinger Productions, a year before he became responsible for Warner Bros. cartoons. Mack V. Wright is the credited director. Sheila Terry also appeared with John Wayne in THE LAWLESS FRONTIER. An unusual bit in HAUNTED GOLD is when Terry tries to meet Woods by pretending that she is on a runaway horse, hoping that he would save her. Unfortunately, Wayne is faster to the rescue, and she scolds him for it.

HIDDEN FEARS (1993) - After producing TIN STAR VOID, aka DEATH COLLECTOR in 1988, Jean Bodon got the wherewithall to direct his first feature based on a novel by Stuart Kaminsky - who had helped to write the screenplay to ONCE UPON A TIME IN AMERICA (1984). I don't know if a better director could have made this material work, but Bodon certainly couldn't. Meg Foster's husband is beaten to death by a pair of redneck brothers outside of a country diner, and even years later she is paranoid that the killers will return to kill her. When the detective who was working on the case dies, he requests that his partner give the case file to the widow with the names of the suspected killers inside. Going on TV, the widow asks the public's help in finding the two, and speaks their names on the air. So, the brothers, Marc Macauley and Patrick Cherry, decide on returning to kill her. When a witness to the murder is found dead, Foster becomes convinced that the brothers are also killing witnesses. Eventually, Foster and her boyfriend Frederic Forrest, with the help of Wally Taylor, kill the brothers, but then discover that they had not been targeting the witnesses. It was her son, Scott Hayes, that has been attacking the witnesses, blaming them for not saving his father when he was being beaten. 

I, FRANKENSTEIN (2013) - The idea of turning Frankenstein's creature into a superhero is interesting, but why stick him into a war between gargoyles and demons that is reminiscent of UNDERWORLD? Oh, actor/writer Kevin Grevioux created both UNDERWORLD and I, FRANKENSTEIN. And then why have the forces of good be so stupid that they don't understand our hero's motivations sooner? No one ever mentions that the "soulless" creature is more of a force for good than the so-called allies of heaven. The lackluster box office result of this movie seems to have scuttled writer Stuart Beattie's directoral career. You know a movie was shot in Australia if Bruce Spence turns up, which he does. Miranda Otto appears as Queen of the gargoyles, but mostly is shown in human form. Yvonne Strahovski looks terrific, but also suffers from being written as a bit stupid. Aaron Eckhart is perhaps the best looking Frankenstein's monster who doesn't end up becoming ugly. Having Bill Nighy as the leader of the demons kind of underlines the UNDERWORLD connection.

J.C. (1972) - Co-writer/director William McGaha stars in this story of a weed smoking man of peace who quits his construction job after being hassled by a red neck foreman. After reading the newspaper on the toilet, McGaha has a religious vision of being crucified and then being tempted by two women with an apple. Hitting the road on his motorcycle with Pat Delany, McGaha soon picks up motorcycle riding followers along the way. To a soundtrack filled by songs like "Man Who Don't Know Where He's Going", "Walking Down To See My Jesus" and "Fault of Every Man" sung by "Bethany", they ride the backroads of Georgia with noticeable microphones dropping from the top of the frame for most of the dialogue scenes. "The giant eye in the sky" tells our hero that his followers have to "make a run" to spread love. Arriving in the small town in Alabama where our hero grew up to visit his sister Joanna Moore, the bikers are treated like a gang. Soon they are visited by sheriff Slim Pickens and his deputy Burr DeBenning. His sister's husband Mathew Garth tries to clobber a black member of the group, Hannibal Penney, with a lead pipe, and later Pickens and DeBenning catch the fellow smoking weed and proceed to torture him. Moore informs McGaha that Penney is about to be lynched, so our heroes spring into action. But our heroes don't have guns and the townspeople do. After De Benning shotguns Penney, McGaha looses it and strangles the deputy. After telling his followers to "get out of here", McGaha offers himself to the townspeople as a sacrifice. Judie Franzier is our hero's old girlfriend who screams "Why?" over his dead body. 

JOKER (2019) - If this is supposed to be a serious study of mental illness, why bring the Batman character into it? If this is supposed to be a new interpretation of the Batman character, then why radically change the character

MARA MARU (1952) - Gordon Douglas' efficient direction kept this Errol Flynn drama watchable, until the treasure turned out to be a diamond encrusted cross and suddenly the film became a morality tale with religious overtones. Philip Yordan was one of four writers credited on this. Fans of The Untouchables may find Paul Picerni playing a Filipino of interest.

MY SON, THE VAMPIRE, aka MOTHER RILEY MEETS THE VAMPIRE, aka VAMPIRE OVER LONDON (1952) - Beginning in 1936, Arthur Lucan took his music hall drag act as Old Mother Riley into the movies. His wife, Kitty McShane, played his daughter in 15 movies until their divorce in 1951. In 1952, Bela Lugosi made the trip across the Atlantic to appear in what would be Lucan's last film MOTHER RILEY MEETS THE VAMPIRE. Judging from VAMPIRE it is hard to believe that he was a popular comedian because this just isn't funny. Perhaps the fault lies with director John Gilling, who was new to the series and would later become well known for thrillers. In the U.S., VAMPIRE is the only known OLD MOTHER RILEY movie because it featured Lugosi, and he looks better here than he does in any of the films directed by Edward D. Wood Jr. The MY SON, THE VAMPIRE release was the 1963 American version that added a song by Allan Sherman, who had a hit album called My Son the Folksinger. Despite the title, the filmmakers had to emphasize that Lugosi was not a real vampire inorder to avoid getting a restrictive rating since kids were the main audience for Riley movies. A number of the British supporting players in this would go on to do good work in better films such as Dora Bryan of HANDS OF THE RIPPER, Richard Wattis of THE ABOMINABLE SNOWMAN, Judith Furse of THE COCKLESHELL HEROES, Ian Wilson of HELP!, Hattie Jacques of the Carry On films, Dandy Nichols of THE BED SITTING ROOM, George Benson of HORROR OF DRACULA, Bill Shine of RICHARD III (1955), Charles Lloyd-Pack of THE REPTILE, Laurence Naismith of THE BEGGER'S OPERA, John Le Mesurier of THE HOUND OF THE BASKERVILLES (1958) and Alexander Gauge who played Friar Tuck for 91 episodes of The Adventures of Robin Hood. Philip Leaver had previously been in Alfred Hitchcock's THE LADY VANISHES.

REMEMBER ME (2010) - For the most part, this is a rather irritating story about a young woman, whose mother was murdered infront of her on a subway platform when she was a child, and a young man still furious at his father for the suicide of his older brother. It is irritating because the characters often get over emotional and act stupid. And then comes the surprise ending - just as things seem to be getting better. This surprise ending pushes the irritating film into the pretentious category. Director Allen Coulter came from television, and went back after this movie. Emilie de Ravin shows a bit of skin in this film, and it is always fun seeing a nude scene which doesn't breach the PG-13 limit. Howcome Martha Plimpton didn't get a credit? And was the clip from AMERICAN PIE 2 just to establish this as a period film?

Women Make Film - 23. Politics, 24. Gear Change. 25. Comedy.

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Charles Gilbert watched:

COFFIN FULL OF DOLLARS (1971) Miles Deem (Demofilo Fidani aka 'the Ed Wood of Spaghetti Westerns') is director. Nevada Kid (Jeff Cameron) teams with goofy bounty killer Gordon Mitchell to bring to justice Hunt Powers (Jack Betts) and fellow pistolero mop haired Klaus Kinski responsible for feud murders. Cliched juvenile script as in SAVAGE GUNS, another Deem fabrication. That's his daughter as the doe-eyed blonde.

SHADOW OF FEAR (1954) B&W. British film features Mona Freeman arriving from America for her parent's funeral. Her stepmother (Jean Kent) had been nurse to mom who died first, and then dad married the nurse. Dad soon died in a boating incident that looks suspicious. Daughter Mona pointedly accuses stepmom of double murder and sets out to prove it as stepmom strives to snuff out daughter.

Interview with Mike Stone boyfriend of Priscilla Presley. In addition to Elvis he talks about Bruce Lee, Chuck Norris, and Michele Pfeiffer. The karate champion was debuting his autobiography, and had moved to the Philippines in 1985. 

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David Deal enjoyed:

THE DAY THE EARTH FROZE (59)

BEFORE DAWN (33)

BANG, BANG, YOU'RE DEAD (66) - See the Eurospy Guide book for a complete review of this fun spy flick.

SECRET OF THE BLACK TRUNK (62)

THE MONOLITH MONSTERS (57)

WAR OF THE ZOMBIES (63) - AKA Rome Against Rome.  Centurion Ettori Manni investigates a looming uprising led by wizard John Drew Barrymore, who raises the Roman dead to wage war.  Giuseppe Vari's Sword and sandal adventure is one of the darker entries with lots of fire, a spooky lair for our villain, and Gothic horror overtones.

AGENT FOR PANIC (64) - See the Eurospy Guide book for this Czech entry.

A QUIET PLACE TO KILL (70) - The Blu-ray in the Lenzi/Baker set is very nice looking and more revealing than other versions I've seen.

FANTASTIC PLANET (73)

FEAR NO EVIL (69) - Louis Jourdan, a psychiatrist well versed in the occult, investigates a wife (Lynda Day) tortured by the likeness of her dead husband (Bradford Dillman) who beckons her from an old mirror.  First TV pilot for a series featuring Jourdan is a bit unfocused but enjoyable just the same.  Directed by TV journeyman Paul Wendkos and features Carroll O'Connor and Wilfred Hyde-White.  See Ritual of Evil for the second series try.

THE BLOODSTAINED SHADOW (78)

Mildly enjoyed:

THE TOWER OF THE SEVEN HUNCHBACKS (44)

PSYCHOUT FOR MURDER (69)

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Bertrand Van Wonterghem enjoyed:

Ildan Ddeugeobge Chungsohara  / Clean with passion for now (2018) – episodes 3 to 5

Invitation to a gunfighter (1964, Richard Wilson)

Intelligence – season 1 – episodes 2 to 4

Karate kill (2016, Kurando Mitsutake)

Minutes past midnight (2016)

Two weeks to live – season 1 – episodes 1 & 2

White gold – season 1 – episodes 1 & 2

The alienist- season 2 – episodes 1 & 2

Mildly enjoyed:

The black rose (1950, Henry Hathaway)

Midnight meat train (2008, Ryuhei Kitamura)

Did not enjoy:

Jeepers creepers 3 (2017, Victor Salva)

Cuatro dollares de venganza (1965, Jaime Jesus Balcazar)

Life (2017, Daniel Espinosa)

Mon poussin (2016, Frédéric Forestier)

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Friday, October 23, 2020

Week of October 24 to 30, 2020

 

To answer these trivia questions, please email me at scinema@earthlink.net.

Brain Teasers:

Which Spanish actor, who made Westerns, retired to become a painter?
It was Leo Anchóriz.

Which American actor who made Italian Westerns remembers getting along with Klaus Kinski both on and off the set?
No one has answered this question yet.

Which Italian actress who made an Italian Western found Klaus Kinski very easy and charming with which to work?
No one has answered this question yet.

Which American actress who made an Italian Western was reported by Klaus Kinski to be the object of lust from Marlon Brando?
No one has answered this question yet.

Which American director of a Western made in Spain used to be a film editor at Universal Pictures?
No one has answered this one yet.

Which Mexican actress appeared in an Italian Epic film alongside an actor born in Spain to a Puerto Rican father?
No one has answered this one yet.

Complete the lyric: "Clayton. Oh, Clayton. ______ ____ ____>"
Bertrand Van Wonterghem knew that it was "Forget your hate." from LO VOGLIO MORTO, aka I WANT HIM DEAD.

Which actress born in France to Russian aristocracy appeared in movies about Spartacus, Mata Hari and Attila the Hun?
Bertrand Van Wonterghem knew that it was Ludmilla Tchérina.

Which American actor made an Italian Western, a Spanish crime thriller, an Hammer film, an Amicus Production and played both Scrooge and Long John Silver?
Bertrand Van Wonterghem and Charles Gilbert knew that it was Jack Palance.

And now for some new brain teasers:

Charles Gilbert asks, "Which actor born on October 13, 1929 and who played in the NFL, can be seen along side Dan Vadis, Gordon Scott, and Mark Forest in Italian cinema?"


Name the movies from which these images came.


Rick Garibaldi identified last week's photo of Angelo Infant and Dana Ghia in CUATRO DOLARES DE VENGANZA, aka FOUR DOLLARS OF REVENGE.
Above is a new photo.
Can you name from what movie it came?


Above is a new photo.
Can you name from what movie it came?


No one identified the above photo.
It shows Rita Silva in NOVE OSPITI PER UN DELITTO, aka NINE GUESTS FOR A CRIME.


No one has identified the above frame grab.
Can you name from what movie it came?

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I am interested in knowing what movies you have watched and what you enjoyed or not. So please send me an email at scinema@earthlink.net if you'd like to share. Here's what I watched last week:

Highly enjoyed:

(500) DAYS OF SUMMER - This movie had me from its opening narrative title: "AUTHOR'S NOTE: The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Especially you Jenny Beckman. Bitch." Though I was put off by ending with the b-word. "This is a story of boy meets girl. But you should know upfront, this is not a love story." Zooey Deschanel is adorable in this, as is Jason Gordon-Levitt, and it is wonderfully warm and funny. And it's a great portrait of downtown Los Angeles, though they never seem to go to Spring Street or Chinatown. And it's nice to see the inside of the Bradbury Building brightly lit.

Enjoyed:

CRAZY RICH ASIANS (2018) - From Jon M. Chu, the director of G.I. JOE RETALIATION, comes one of the most enjoyable American romantic comedies in years. How could it fail with Lisa Lu and Michelle Yeoh in the cast? Ever since I saw the Marina Bay Sands in the background of BBC News reports from Singapore, I've wanted to see more of it, and this movie thankfully gave it to me. 

ECHO IN THE CANYON (2018) - Reportedly Jakob Dylan and Eric Barrett were watching director Jacques Demy's MODEL SHOP (1969) and were inspired to do an album and a documentary about the musicians who lived in Laurel Canyon in the 1960s. Jakob assembles a bunch of contemporary musicians to cover the music from the past, which isn't all that exciting, but he also interviews Lou Adler, David Crosby, Stephen Stills, Roger McGuinn, Graham Nash, John Sebastian, Ringo Starr and Michelle Phillips, among others, about the old times, and that is exciting. There are alot of clips from MODEL SHOP, including the clip showing the back of John Crummett's car on Wilcox. Complaints about not mentioning The Monkees, Jim Morrison and Joni Mitchell may be valid, but then maybe we wouldn't see Fiona Apple performing.

STRANGER FRUIT (2017) - In addition to laying out the evidence that Ferguson, Missouri, police officer Darren Wilson murdered unarmed Michael Brown, Jr. in 2014, filmmaker Jason Pollack reveals the cover-up by the authorities in an attempt to justify the killing. From misinformation given out by Chief Jon Belmar of St. Louis County to Ferguson Police Chief T. Jackson issuing a videotape of what he falsely called a mini-mart robbery, they created a false narrative repeated by the news media. Also joining in the cover-up were Police Union Head Jeff Roorda, St. Louis County Prosecutor Bob McCulloch and Missouri Governor Jay Nixon. By also documenting that policing in the United States started with the South Carolina Runaway Slave Patrols in 1704, Pollack presents the case that in the United States, the police was always about controlling Black people. He also documents the May, 1917 East St. Louis Massacre, where-in White mobs murdered Blacks trying to flee their homes which the Whites had set aflame. This has been called the worst massacre in United States history for which no one was ever prosecuted.

Mildly enjoyed:

CHLOE (2009) - If anyone could talk Amanda Seyfried into doing a nude bed scene with Julianne Moore, director Atom Egoyan would be the one. I am unfamiliar with NATHALIE, the French film directed by Anne Fontaine, but from what I read it isn't as melodramatic as Egoyan's remake. Egoyan's film is kind-of like FATAL ATTRACTION, except that it is the mother's infidelity which causes the problem. POISON IVY also came to mind in terms of unrequited lesbian love. The cast and the production are top notch, but the screenplay by Erin Cressida Wilson, who wrote SECRETARY, fails to result in a compelling movie. This could be an infomercial for Raised By Swans, a band I've before never heard. Should we blame director James Cameron and TITANIC for the cliche of hand palms hitting steamy glass for erotic symbolism?

THE LIMITS OF CONTROL (2008) - Even before the 34 minute mark when Tilda Swinton shows up to say, "Are you interested in films by any chance? ... Have you seen THE LADY FROM SHANGHAI? Orson Welles. That one makes no sense. Rita Hayworth as a blond. I think its the only film she's ever a blond in. It's like a game. Deception. Glamour. A shootout. Shattered mirrors. She dies in the end." the viewer should have guessed that this film is a goof. Writer/director Jim Jarmusch shows Isaach de Bankole getting an assignment in an airport and then traveling to Spain and we are not told what or why. There's a nice travelogue of Madrid with multiple visits to the Museo Nacional Centro de Arte Reina Sofia, but it all means nothing plotwise. This film is made to look like an international thriller, but there are no thrills and no real plot either. And no shootout and no shattered mirrors. In the end de Bankole gets into a secure guarded room, and when asked how he did it, he responds "I used my imagination". Bill Murray shows up in the end to be murdered with a old guitar string, but there is no explanation for why this had to happen. We could only guess that it was dictated by the cinematic game Jarmusch was playing. Paz de la Huerta shows up, naked on a bed with a pistol, perhaps to fulfill Jean Luc Godard's dictom that "All you need to make a movie is a girl and a gun." She leaves the movie for a good stretch only to turn up naked and dead near the end without explanation - also part of Jarmuch's cinematic game. The pacing is never hurried, and the deadpan humor of it all pays off with a couple of laugh out loud moments, but surely this could have been accomplished with a shorter running time. Did some Spanish producer approach Jarmusch with the financing to make a movie in Spain, and that's how this movie came into being? Cinematographer Christopher Doyle provides the movie with a lovely look, while Boris keeps the music track sounding dramatic. Other guest stars include John Hurt and Gael Garcia Bernal.

THE MAGNIFICENT SEVEN (2016) - Making the villain a murderous capitalist is an interesting variation on the theme, but turning the plot into a revenge story completely negates the point of the original tale. Director Antoine Fuque was given the budget and a cast to make something worthwhile, and if they weren't going to do something new, they could have come up with something that didn't remind one of SILVERADO. Am I the only one concerned that the town will have alot of trouble with the state authorities regarding the death of such a famous businessman, an army of private detectives and the deed to the gold mine?

Nicolas Le Floch "L'Homme au ventre de plomb" aka "The Man with the Lead Stomach" (2008) - Interestingly, the TV version of the novels by Jean-Francois Parot begin with an adaptation of the second novel in the series. Le Floch is a Police Commissaire during the time of King Louis XV before the Revolution. Expectedly, he has to deal with the governmental politics and the class society of the time. Like Philip Marlowe, he is honest and gets clobbered over the head twice in the first film. Like Sherlock Holmes, he has the help of street children, ala The Baker Street Irregulars. "The Man With the Lead Stomach" has a novel's worth of material which the filmmakers stuff into a fast paced 90 minutes. Perhaps to those who speak French, the material doesn't seem rush, but as a subtitle reader I was kept on my toes to follow along. The producton values are high and the cast is compelling.

Nicholas Le Floch "L'Énigme des Blancs-Manteaux" aka "The Blancs-Manteaux Enigma" (2008) Like most successful TV shows, this has a likable cast of regulars, who all get their moment to shine in this second episode. When Le Floch gets clobbered over the head, he is laid up in bed to recover.

THE PREDATOR (2018) - This feels like a movie remade in the editing room. Once the "loonies" squad comes together, the film starts to work, but the opening scenes involving our hero being detained by a shadowy government agency and his son being the target of school bullies are irritating. As it is, when the buddy comedy involving Boyd Holbrook, Trevante Rhodes, Keegan-Michael Key, Thomas Jane, Alfie Allen and Augusto Aguilera kicks in, it feels like we're in a different movie. But at least this movie is entertaining. When Olivia Munn joins the group, the fun really begins. Now if only Yvonne Strahovski could have joined in things would have been better, but having her character dropped from the story seems a mistake. Director Shane Black shares writing credit with Fred Dekker, but were they also responsible for the reportedly redone ending? What was the original ending that preview audiences reportedly hated? In any case, this film is an improvement over producer Robert Rodriguez's PREDATORS.

Uncnsrd "Omari Hardwick" (2020)

Did not enjoy:

BEETHOVAN'S TREASURE TAIL (2014) - While filming his eighth movie on location, the big St. Bernard becomes depressed and won't do his signature jump - so Morgan Fairchild fires him and his trainer Jonathan Silverman. The production won't pay to fly the two back to California, but they provide an old Volkswagen Beetle for them to drive. Of course, the car breaks down near the coastal town of O'Malley's Cove. There the hero dog saves Bretton Manley from his latest attempt to find the missing O'Malley treasure on the side of a cliff. Manley's mother, Kristy Swanson, has an on and off romance with Silverman while the dog eventually helps Manley to find the treasure. The evil Jeffrey Combs steals the treasure from the boy and the dog, but finally Udo Keir shows up with the police to arrest Combs for identity theft. Fairchild telephones Silverman to say they want to rehire Beethovan as the effort to replace him with a chicken didn't work out. Silverman convinces the town that they can make their own movie with the treasure. Ron Oliver directed this Universal 1440 Entertainment direct to home video release with the usual results.

BIGGER FATTER LIAR (2017) - This film is unrelated to BIG FAT LIAR (2002) aside from the premise of a teenage boy and girl pranking an adult who cheated them. Here Barry Bostwick once again proves himself willing to look the fool as the victim of the pranks done to him by Ricky Garcia and Jodelle Ferland. I've wanted to see more of Ferland since I noticed her in the American TV miniseries version of Kingdom Hospital (2004), but this is not much of a showcase for her. It is better than her role in THE TWILIGHT SAGA: ECLIPSE (2010) though.

DICK TRACY VS. CUEBALL (1946) - Gordon Douglas directed this, the second of RKO's series based on the comic strip by Chester Gould. Aside from the character names, there is little here that's different from most of the crime flicks of that time. Bald headed thug Dick Wessel kills a diamond courier and steals his package. Our hero, Morgan Conway, is called away from his home to investigate before his girlfriend, Anne Jeffreys can spring a surprise birthday party on him. Conway soon figures out that it's an inside job, and the diamond dealer's secretary, Rita Corday, is part of the ring. Byron Foulger is supposed to cut the diamonds so that they can't be traced and Douglas Walton will sell the gems. Hot-tempered Wessel starts killing people right and left and threatens Jeffreys before Conway comes to the rescue. The film ends with Jeffreys confident that the birthday party will finally happen only to see Conway rush out the door on a new case.

THE LITTLE RASCALS SAVE THE DAY (2013) - I was never a fan of the original Hal Roach comedies, but I'll give anything a look-see in the hope of being surprised. The surprise here is that the only effort to make this material contemporary is with the annoying rich kid having an Ipod. Doris Roberts' bakery is about to be foreclosed by banker French Stewart, so the kids, who live in a treehouse next to the bakery, set about to try and earn $10,000. Redoing various money-making efforts from the original short films, the kids continually fail, though no mention is made of how much money got wasted in their attempts. Their last effort is a talent show, which Drew Justice feels they can win if they could get Eden Wood to sing "I Got You Babe" with him. Wood partners with rich kid Grant Palmer in a dance, but quits the rich kid when she catches him trying to sabotage the Rascals' performance. She joins Justice in singing the song, the Rascals win the $10,000 with the result that Roberts' bakery and their tree house are saved. Did the intended kid audience really enjoy this straight to home video release? Universal must have been pleased with the result for they hired director Alex Zamm to make the straight to home video JINGLE ALL THE WAY 2 starring Larry the Cable Guy.

NOCTURNE (1946) - Former and future Alfred Hitchock associate Joan Harrison produced this for RKO and while it has some nice photography by Leigh Harline, it is pretty awful. Some say that the film is a satire on crime movies. Why else would they make star George Raft a junior detective living at home with his mother? Is that why the dialogue is so ridiculously silly? One pleasure to be had is the location work around Hollywood, including the Pantages Theater and the Brown Derby.

SCOOT AND KASSIE'S CHRISTMAS ADVENTURE, aka K-9 ADVENTURES: A CHRISTMAS TALE (2013) - I am not the intended audience for this movie, so it is probably not surprising that I didn't enjoy it. Bank robbers Taylor Negron and Jake Suazo are getting away, but Police Dog Jake is in pursuit. Jake gets helplessly tangled in some barbed wire. Negron picks up the post to which the wire is attached and throws it in the river, which takes the dog with it. Meanwhile widower Luke Perry moves to a new town with his two daughters Ariana Bagley and Camrey Bagley. Ariana finds the injured dog, renames him Scoot and nurses him back to health - keeping it a secret from her "no pets" father. Ariana is having trouble finding her place in the new town, until she brings her choir skills, learned from watching her late mother, to the local church. Ariana finds out about a Toys For Tots fundraiser at the bank at which her father works and organizes the kids in school to help get more money. Negro and Suazo work as bank guards and steal the Toys For Tots money. Ariana, Scoot and the other kids thwart the robbery, but Negron takes off with Ariana as an hostage. Scoot leads the father and the police in chasing the robber down. The story plays on TV and the dog's original police partner shows up to take the dog back. On Christmas, Scoot is returned to Ariana, and she leads the entire church in a choreographed choir performance. This movie was shot in Utah so it is probably not too surprising to find that other Bagley children are in the cast: Anson Bagley and Mia Bagley. Luke Perry and the Bagley sisters returned in the sequel: K-9 ADVENTURES: LEGENT OF THE LOST GOLD. 

SEAL TEAM EIGHT: BEHIND ENEMY LINES (2014) - I didn't know that 2001's BEHIND ENEMY LINES was the excuse for a series of three unrelated action movies released directly to home video. The proposed TV series wasn't picked up. Shot in South Africa, this film concerns a Seal Team sent into the Congo to rescue a CIA asset captured by a rebel warlord possibly linked to Al-Qaeda. They think they've rescued Aurélie Meriel, but she informs them of a sale of illegal yellow cake uranium in 36 hours. So our heroes are retasked to stop the sale. Naturally, after Meriel does a "Joanne Dru in RED RIVER" stoic response to a wound, she has sex with Lex Shrapnel (That's his real name? Honestly?) and turns out in the end to be the real bad guy. It turns out that Meriel hired the warlord and his army to protect her mining operation and then convinced the CIA to send in our Seal Team to destroy them when the warlord took her prisoner in an effort to extort more money from her. She then used the Seal Team to get back to the mine, and then tried to kill them all, but took Anthony Oseyemi as prisoner. Shrapnel ends up seeming to take on an entire city to rescue Oseyemi, but he succeeds and Meriel dies horribly. Oseyemi plays the only black member of the team, so it would seem that the filmmakers needed him to survive so that our heroes wiping out about a hundred or so black fighters wouldn't seem racist. Occasionally, our heroes talk about needing to resupply with ammunition, but they never seem to run out of copious amount of bullets - and grenades - and RPGs. Heck, the action in this movie makes the action in James Bond movies seem realistic.

S.W.A.T.: FIREFIGHT (2010) - Lots of shaky-cam intercut with first person shooter imagery makes the action scenes in this flick incredibly irritating. Benny Boom is the director. Dark Ops guy Robert Patrick wants revenge on S.W.A.T. team leader Gabriel Macht because Macht didn't stop Kristanna Loken from killing herself to get away from Patrick. That's a motivation I've not before heard.

TOPPER TAKES A TRIP (1938) - This tiresome sequel to TOPPER (1937) begins with Verree Teasdale convincing Billie Burke to divorce Roland Young as part of a plot to have her marry French Baron Alexander D'Arcy. Ghost Constance Bennett, with the help of special effects, both practical and optical , drags Young to France to create the chaos needed to reunite the elderly couple. 

THE YELLOW HANDKERCHIEF (2008) - In October 1971, the New York Post published a story by Pete Hamill called "Going Home". In June 1972, the story was reprinted in Reader's Digest and was read by songwriters L. Russell Brown and Irwin Levine, who turned it into the song "Tie A Yellow Ribbon 'Round The Ole Oak Tree". When Hamill sued, the songwriters had folklorists turn up previously published versions of the same story. In 1977, Japanese director Yoji Yamada, famous for the long running Toro-San films, bought the screen rights to Hamill's story and made a film starring Ken Takakura as the returning convict (which is something Ken had portrayed in countless Yakuza movies). Swiss born producer Arthur Cohn loved the Japanese film and bought the remake rights, which was turned into this movie, shot in Louisana, USA, by India born but U.K. based director Udayan Prasad. With William Hurt, Kristen Stewart, Eddie Redmayne and Maria Bello, Cohn assembled a remarkable cast. Unfortunately, the screenplay by Erin Dignam, which is filled with flashbacks, makes the misfits rather unappealing and the resulting film is a drag. You know the ending, and it works very well. Getting to it provides alot of travelogue shots of Louisana.

Women Make Film - 20. Home, 21. Religion. 22. Work.

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Charles Gilbert watched:

SAVAGE PAMPAS (1966) Robert Taylor plays an Argentine cavalry officer whose men have been defecting with rogue soldier Ron Randall. Seems the solution is to get some women for morale, despite their duty status. Hordes of threatening indians pose another menace in this off beat oater shot in Spain.

On Heroes and Icons channel (Weigle Broadcasting out of Chicago) an Untouchables marathon of episodes:
    The George 'Bugs' Moran Story    Lloyd Nolan
    Ain't We Got Fun    Cameron Mitchell
    Mexican Stake-Out    Vince Edwards
    The Artichoke King    Jack Weston
    The Tri-State Gang    William Bendix
    The Dutch Schultz Story    Lawrence Dobkin
    You Can't Pick The Numbers    Daryl Hickman

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David Deal enjoyed:

COLT .45 (50)

FLETCH (85)

THE DOOR WITH SEVEN LOCKS (62)

Mildly enjoyed:

THE WHIP HAND (52)

CASTING THE RUNES (79)

THE ADVENTURER OF TORTUGA (64)

VOODOO MAN (44)

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Bertrand Van Wonterghem enjoyed:

Chomyeon-e Saranghamnida / The secret life of my secretary – season 1 – episodes 11 to 16

Point blank (1967, John Boorman)

Il moralista (1959, Giorgio Bianchi)

High anxiety (1977, Mel Brooks)

Ildan Ddeugeobge Chungsohara  / Clean with passion for now (2018) – episodes 1 & 2

Le rouge est mis (1957, Gilles Grangier)

Mildly enjoyed:

Cobra kai – season 1 – episodes 9 to 10

Capitaine Marleau - épisode « l’arbre aux esclaves » (2049, Josée Dayan)

The restless breed (1957, Allan Dwan)

Locke & key – season 1 – episodes 1 to 10

Did not enjoy:

La vie pure (2014, Jeremy Banster)

A babysistter’s guide to monster’s hunting (2019, Rachel Talalay)

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