by Francois Truffaut
with the Collaboration of Helen G. Scott
[After MARINE, director Alfred Hitchcock considered three projects which were never made before he actually produced TORN CURTAIN. The projects were THE THREE HOSTAGES, MARY ROSE and R.R.R.R.]
F.T. Your third project is an original screenplay, which you assigned to the writing team of Age and Scarpelli, the writers of BIG DEAL ON MADONNA STREET.
A.H. That one I just now abandoned. Definitely. It was a story of an Italian who immigrates to America. He starts out as an elevator boy in a big hotel and eventually becomes the general manager. He brings his family over from Sicily. It turns out they are a gang of thieves, and he has to try to prevent them from stealing a collection of precious coins that are on display in the hotel. I dropped the project because it seemed to be shapeless. Aside from that, you know that Italians are very slipshod in matters of story construction. They just ramble on.
[Age and Scarpelli would soon go to work with Sergio Leone on IL BUONO, IL BRUTO, IL CATTIVO, aka THE GOOD THE BAD AND THE UGLY.]
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